The metaverse seems to be on everybody's lips - and yet, very few people can actually explain what it means or why it is important. This book aims to fill the gap from an interdisciplinary perspective informed by law and media and communications studies. Going beyond the optimism emanating from technology companies and venture capitalists, the authors critically evaluate the antecedents and the building blocks of the metaverse, the design and regulatory challenges that need to be solved, and commercial opportunities that are yet to be fully realised. While the metaverse is poised to open new possibilities and perspectives, it will also be a dangerous place - one ripe with threats ranging from disinformation to intellectual property theft to sexual harassment. Hence, the book also offers a useful guide to the legal and political governance issues ahead while also contextualising them within the broader domain of governance and regulation of digital technologies.

There is an inherent tension between popular and establishment powers in political communities. With anti-establishment sentiment on the rise across Western democracies, exploring the underpinnings of this dualism and rethinking theories of political life within states is of paramount importance. By combining the theories of Carl Schmitt and Benedict Spinoza, this book develops a framework of continuous reproduction, whereby the two powers simultaneously hold one another in tension and supersede one another. In the same vein, political communities are shown to be perpetually caught in a cycle of creativity/contestation, derived primarily from Schmitt (the tragic groundlessness of politics) and limitation (derived primarily from Spinoza as a quasi-theological belief in the status quo). Providing a novel theoretical framework explaining the workings of democratic politics, this book also offers a non-traditional reading of Spinoza and Schmitt. Whereas traditionally both have been treated as almost polar opposites, here they are held in creative tension, providing equally important building blocks for the proposed theory. By furthering their analysis, the author creates a new theory of political action.

The world we live in is increasingly malleable and fluid, especially in regards to being human - rendering the self into a permanent beta version, co-constituted within agglomerations of platforms, devices, physical infrastructures, entities pertaining to physical and biological nature. This book proposes a posthumanist research methodology for future research in this area, providing a novel explanatory and methodological framework for studying today's world. Malleable, Digital, and Posthuman studies four areas: the economy, the human self, politics, and research ethics and methodology. In the economic domain, Kalpokas focuses on the emergence of the attention economy and the ensuing shift towards personalisation and experience, shaping the (digital) environment for optimised user interaction. Consequently, the datafication and algorithmisation of the social world necessitates an art and craft of the self, establishing a co-constitutive interaction between the self and digital infrastructures. These changes also strongly affect politics, primarily through datafied management of the political and employment of predictive analytics in preparing ground for political action, thereby rendering collective identities and political leadership malleable and open to relentless beta testing. With unique insights and an innovative framework, this book is essential reading for researchers in the areas of media and communication studies, politics and social theory.

There is an inherent tension between popular and establishment powers in political communities. With anti-establishment sentiment on the rise across Western democracies, exploring the underpinnings of this dualism and rethinking theories of political life within states is of paramount importance. By combining the theories of Carl Schmitt and Benedict Spinoza, this book develops a framework of continuous reproduction, whereby the two powers simultaneously hold one another in tension and supersede one another. In the same vein, political communities are shown to be perpetually caught in a cycle of creativity/contestation, derived primarily from Schmitt (the tragic groundlessness of politics) and limitation (derived primarily from Spinoza as a quasi-theological belief in the status quo). Providing a novel theoretical framework explaining the workings of democratic politics, this book also offers a non-traditional reading of Spinoza and Schmitt. Whereas traditionally both have been treated as almost polar opposites, here they are held in creative tension, providing equally important building blocks for the proposed theory. By furthering their analysis, the author creates a new theory of political action.

This book examines the use and potential impact of deepfakes, a type of synthetic computer-generated media, primarily images and videos, capable of both creating artificial representations of non-existent individuals and showing actual individuals doing things they did not do. As such, deepfakes pose an obvious threat of manipulation and, unsurprisingly, have been the subject of a great deal of alarmism in both the news media and academic articles. Hence, this book sets out to critically evaluate potential threats by analyzing human susceptibility to manipulation and using that as a backdrop for a discussion of actual and likely uses of deepfakes. In contrast to the usual threat narrative, this book will put forward a multi-sided picture of deepfakes, exploring their potential and that of adjacent technologies for creative use in domains ranging from film and advertisement to painting. The challenges posed by deepfakes are further evaluated with regard to present or forthcoming legislation and other regulatory measures. Finally, deepfakes are placed within a broader cultural and philosophical context, focusing primarily on posthumanist thought. Therefore, this book is a must-read for researchers, students, and practitioners of political science and other disciplines, interested in a better understanding of deepfakes.

This book analyses the changes to the regulation of everyday life that have taken place as a result of datafication, the ever-growing analytical, predictive, and structuring role of algorithms, and the prominence of the platform economy. This new form of regulation - algorithmic governance - ranges from nudging individuals towards predefined outcomes to outright structuration of behaviour through digital architecture. The author reveals the strength and pervasiveness of algorithmic politics through a comparison with the main traditional form of regulation: law. These changes are subsequently demonstrated to reflect a broader shift away from anthropocentric accounts of the world. In doing so, the book adopts a posthumanist framework which focuses on deep embeddedness and interactions between humans, the natural environment, technology, and code.

This book combines political theory with media and communications studies in order to formulate a theory of post-truth, concentrating on the latter's preconditions, context, and functions in today's societies. Contrary to the prevalent view of post-truth as primarily manipulative, it is argued that post-truth is, instead, a collusion in which audiences willingly engage with aspirational narratives co-created with the communicators. Meanwhile, the broader meta-framework for post-truth is provided by mediatisation-increasing subjection of a variety of social spheres to media logic and the primacy of media in everyday human activities. Ultimately, post-truth is governed by collective efforts to maximise the pleasure of encountering the world and attempts to set hegemonic benchmarks for such pleasure.